Because most people don't fully utilize their sense of sight and
sound, my project pursues both senses through
observational means. By illustrating these elements, it exemplifies the
importance of their place not only in cinema, but also in society. Both are fundamental
elements that are crucial in how we communicate. Cinema is only a mere reflection of that important factor in our society.
Together,
my sound and visuals create an organic partnership that reflect the
environment we live in. By breaking down sound, notes have been stressed to emphasize the creation of sound. Since it is common for one to filter and exclude
the
familiar or mundane, I have used sound as a voice to better communicate my
visuals. The result is a voice that speaks through acoustic wavelengths. Because the "language" is not clear, the experimental composition challenges what is being
heard. The purpose of the soundtrack is to help emphasize the details of the visuals being screened.
Both
sound and visuals often do not receive the acknowledgement they deserve because they pair so impeccably together.
Without sound, one cannot hear, and without visuals, one cannot see. Not
many have time to observe and appreciate these moments that pass us by.
Thus, this piece is meant to bring to life these elements in our
everyday life.
Thoughts and ideas for my senior project. An experimental film to give our visuals a voice and the audience a new perspective.
Monday, October 15, 2012
Monday, October 8, 2012
Influences
Nathaniel Dorsky
http://bombsite.com/issues/1000/articles/6852
Nathaniel Dorsky is a renowned filmmaker in the world of avant garde and experimental. I was particularly very moved by his motion picture, Variations. He constantly refers to editing as meditation and his editing signature is just that, meditative. In Variations, he edits each shot with just enough length of time for us to take it in before moving on to another shot entirely. The combination of the beautiful visuals paired with the pace of the editing is just enough for one to sigh and relive the emotions that were boxed and released in each shot.
http://bombsite.com/issues/1000/articles/6852
Nathaniel Dorsky is a renowned filmmaker in the world of avant garde and experimental. I was particularly very moved by his motion picture, Variations. He constantly refers to editing as meditation and his editing signature is just that, meditative. In Variations, he edits each shot with just enough length of time for us to take it in before moving on to another shot entirely. The combination of the beautiful visuals paired with the pace of the editing is just enough for one to sigh and relive the emotions that were boxed and released in each shot.
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